A reviewer's respectful, if somewhat critical, look at a new book on the Italian Renaissance that seeks to contextualize that movement within the broader sweep of history and within the social conflicts of its time.

Sunless Shadows, Oskouei’s new documentary about a juvenile detention center in Iran, interrogates the experience of women in prison in Iran.

In New England towns like Fall River, Massachusetts, or East Providence, Rhode Island, Portuguese restaurants and markets carve out an identity of ’60s and ’70s nostalgia.

“Lovecraft Country” is rooted in traditions of horror, and uses that genre’s tools to argue that, for Black citizens, America is not a problem to be solved but a monster to be outrun.

Southern California poet Alexis Rhone Fancher offers a musical rendition on the theme “guns matter/kids do not.”

This book, first published in 2011, remains useful in this time of renewed popularity for socialist ideas. As reviewer Terry pointed out when the book was first published, it is an informative treatment of its topic, despite its weaknesses.

On Instagram and other social networks, gymnasts have tagged posts with #GymnastAlliance to share their own experiences in the wake of a Netflix's new documentary 'Athlete' A that highlights verbal and physical abuse by coaches.

The Disney Plus visual album is an opulent portrait of Black pride

Months before the public became aware of Covid-19, the poet Quinn Lewis used the word to depict a chosen escape from normal life and the ensuing comforts “inside/the walls.”

Long before the 2008 financial collapse rocketing, debt and financial wizardry masked the deep underlying fragility of finance-led growth, with wages and productivity stagnating, inequality exploding and ecological systems teetering.